Micaela Tobin is a soprano, sound artist, and teacher based in Los Angeles, CA who specializes in experimental voice and contemporary opera, composing under the moniker "White Boy Scream." Within this project Micaela dissects her operatic and extended vocal techniques through the use of electronics as a means of reclaiming the “diva." She has performed extensively throughout the western United States, most notably as a guest with hip-hop experimentalists clipping. during their 2017 tour in support of The Flaming Lips. Micaela’s most recent full length release, “Remains” (Crystalline Morphologies) was listed as one of the top 10 Noise/Industrial Albums of 2018 by The Wire Magazine.
Micaela recently premiered and earned a five-star review for her first original experimental opera, entitled "Unseal Unseam," at the world’s largest art festival, the Edinburgh Festival Fringe, in summer 2016; the work was described as “hypnotic” and “paralyzingly beautiful,” by New Classic LA after its U.S. debut in October 2017.
Micaela’s credits include the principal role in the opera "Dada Divas" which has toured internationally both in Europe and Mexico. She also performed with The Industry in their groundbreaking opera, "Hopscotch, a mobile opera for 24 cars (dir. Yuval Sharon)"; as a principal vocalist in the premiere of Ron Athey’s experimental opera, “Gifts the Spirit”; and as a soprano soloist alongside Annette Bening in the play "Medea" at UCLALive.
Micaela is currently a voice teacher on faculty at the California Institute for the Arts and teaches privately out of her home in Pasadena, CA.